Millard Arnold has produced award-winning photographs that are in the collections of private individuals and multinational corporations around the world. Arnold’s work is radically different in that it seeks to blur the distinction between photography and abstract painting by marrying the clinical technology of photography with the emotional spontaneity of painting. The imaginative process behind Arnold’s work is photographic subjectivism. It is creatively complex, reflecting intellectual depth and emotional intensity. It is highly idiosyncratic but offers artistic and perhaps even endless interpretations of that which surrounds us. It seeks to find beauty in the quintessential elements of abstraction such as line, shape, colour, texture and composition. Arnold believes that the focus on abstraction is of critical concern, because abstraction is the essence of substance. Arnold’s first major photographic acclaim was in 1973 when he was awarded first prize for colour photography in the Association of the Bar of the City of New York’s annual photographic exhibition. He has gone on to win numerous other awards for his photographic works including first prize in photography at the Kalorama Art Gallery annual exhibition in Washington D.C. Arnold has held several exhibitions worldwide, and his photographic works have been published in the Washington Post Newspaper, and exhibited at the National Geographic Society.