The Dynamic Actor
www.dynamicactor.comThe Dynamic Actor is an approach to the craft of acting taught by acclaimed professional actor Trent Moore. Whether you are a complete beginner or experienced professional, The Dynamic Actor provides the practical skills you need to improve every performance and get the results you want. The Dynamic Actor approach creates a set of tools for you to magnify and clarify your best instincts while releasing the bad habits of self-consciousness: Physical Technique Using exercises from Laban, Michael Chekhov, and other physical approaches, you learn how to get out of your head, build presence, and engage your full, playful self in the moment. Script Technique - Practical Aesthetics Once a physical presence is established, you learn an approach to script analysis that lets you make bold and meaningful choices while responding quickly to direction. Camera Technique You will learn how to respond to the unique demands of acting in front of the camera, so that technical restrictions will only serve and clarify your work. Any technique that is hindered by these technical demands is a recipe for disaster.
Read moreThe Dynamic Actor is an approach to the craft of acting taught by acclaimed professional actor Trent Moore. Whether you are a complete beginner or experienced professional, The Dynamic Actor provides the practical skills you need to improve every performance and get the results you want. The Dynamic Actor approach creates a set of tools for you to magnify and clarify your best instincts while releasing the bad habits of self-consciousness: Physical Technique Using exercises from Laban, Michael Chekhov, and other physical approaches, you learn how to get out of your head, build presence, and engage your full, playful self in the moment. Script Technique - Practical Aesthetics Once a physical presence is established, you learn an approach to script analysis that lets you make bold and meaningful choices while responding quickly to direction. Camera Technique You will learn how to respond to the unique demands of acting in front of the camera, so that technical restrictions will only serve and clarify your work. Any technique that is hindered by these technical demands is a recipe for disaster.
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Texas
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Austin
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