Sound Asylum
www.soundasylum.comAt Sound Asylum, we craft unconventional, risk-taking, no-compromise audio. ADR, Sound Design & Music for Film, TV, and commercials. All with love, passion, and enough crazy to keep it fun. Since 1996. WHAT MAKES US TICK We’re artists first, so we live to create boldly original work. No matter what the project is. No matter the time and effort it takes to make it great. Budget be damned. WORLD-CLASS STUDIOS Three studios geared-up with a perfect mix of toasty warm analog hardware and ultra-modern digital tools. The best hi-end mics. Four ISDN codecs. Plus a vast SFX library and enormous 2000 CD music library. It’s all the right toys to make your soundtrack sound pro. EXPERIENCE Tim Fowler, Owner/Executive Producer, started as a musician turned ad agency copywriter, turned producer, turned creative director. In 1996, Tim robbed a bank a became a studio owner, armed with a hybrid skillset which has allowed him to never lose sight of the message, no matter what he’s producing. “I don’t care if it’s a movie-score or a humbly-budgeted commercial, the story is king. Every word, every note, every frame-per-second. It all serves to help the big idea be heard, understood, and incite response."
Read moreAt Sound Asylum, we craft unconventional, risk-taking, no-compromise audio. ADR, Sound Design & Music for Film, TV, and commercials. All with love, passion, and enough crazy to keep it fun. Since 1996. WHAT MAKES US TICK We’re artists first, so we live to create boldly original work. No matter what the project is. No matter the time and effort it takes to make it great. Budget be damned. WORLD-CLASS STUDIOS Three studios geared-up with a perfect mix of toasty warm analog hardware and ultra-modern digital tools. The best hi-end mics. Four ISDN codecs. Plus a vast SFX library and enormous 2000 CD music library. It’s all the right toys to make your soundtrack sound pro. EXPERIENCE Tim Fowler, Owner/Executive Producer, started as a musician turned ad agency copywriter, turned producer, turned creative director. In 1996, Tim robbed a bank a became a studio owner, armed with a hybrid skillset which has allowed him to never lose sight of the message, no matter what he’s producing. “I don’t care if it’s a movie-score or a humbly-budgeted commercial, the story is king. Every word, every note, every frame-per-second. It all serves to help the big idea be heard, understood, and incite response."
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State
Florida
City (Headquarters)
Tampa
Industry
Employees
1-10
Founded
1996
Estimated Revenue
$1,000,000 to $5,000,000
Social
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Business Owner
Email ****** @****.comPhone (***) ****-****Owner
Email ****** @****.comPhone (***) ****-****Audio Post
Email ****** @****.comPhone (***) ****-****
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