The Pop Machine is Indianapolis' premier boutique analog and digital recording studio with a 21-year history hosting recording sessions for platinum selling music legends and emerging artists. The Pop Machine's discography includes "Visual Love" from the 2013 Grammy nominated Best R&B Album "Better" by Chrisette Michele (Motown Records), "ErrryThang" by Ace Hood featuring Yo Gotti from the Billboard #1 R&B/Hip-Hop; Billboard #1 Rap Album; Billboard 200 Top-10 album "Blood, Sweat & Tears" (Island Def Jam/We The Best Music Group), and "Saving Me" (Grammy Amplifier powered by Hyundai) from the LP "Bruised & Tattooed" (EMP Label Group) by American Bombshell. The Pop Machine was designed and built by founding partner Terry L. Monday and his Monday Designworks firm and features stunning acoustical spaces, a Solid State Logic AWS 924 Delta SuperAnalogue recording console, Avid Pro Tools and Logic Pro X digital audio workstations, classic analog recording equipment, and a curated collection of vintage instruments supported by a team of the highest caliber music producers and recording engineers. Studio principals Eric Klee Johnson and Marc Johnson are Grammy-nominated producers/engineers/songwriters who have worked with The Airborne Toxic Event, American Bombshell, The Avett Brothers, Chrisette Michele ("Better"; Grammy nomination for Best R&B Album, 2013), The Dandy Warhols, Eric Dill, Jane Jensen, John Waite, Jurassic 5, The Madeira, Mat Kearney, MONOFICTION, The Neighbourhood, Pat Dinizio, Rita Ora, Son Volt, Supergrass, Tiffany, Tokyo Police Club, and Wonderdrug. The Pop Machine has been featured in Audio Media®, Blender®, The Indianapolis Star, Mix®, NUVO, and Pro Sound News® and seen on, A&E (John Mellencamp Biography), Comcast Inside Track, EQtv, NFL on CBS, and WISH-TV (Indianapolis CBS affiliate). The Pop Machine has also played host over 50 Sirius XM® XMU Sessions (My Old Kentucky Blog/Blog Radio), iHeartMedia, Alt 1033, and WRZX.